‘I have no nostalgic longing. I have never been communist in the electoral sense of the word. I call “communism” the possibility of proposing to the global youth anything but the wrong choice between a resigned inclusion in the existing consumer device and wild nihilistic breakaways’, says philosopher Alain Badiou reflecting on the place of the Left in the contemporary global political moment. His distinction between the ideas of the Left and the history of attempts to realise it illustrates both the urgency and the conceptual parameters within which this project is set to explore the notion, legacy and possibilities of the Cultural Left as embodied political, social and art practice.
Using an interdisciplinary research framework and a unique cross-cultural and comparativist approach, the project asks:
• What is the legacy and current potential of the Cultural Left to perform the possibility ‘that the world can be otherwise’ (Buck-Morss)?
• How do manifestations and performances of the Cultural Left negotiate and adapt to various ideological frameworks?
• How has the cultural repertoire of the Left enabled cross-cultural influences and mutations in the performances of activism?
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This conference asks how could both the historical legacy of the Left and its current manifestations and performances contribute to formulating an aesthetic of resistance not only as a reactive practice, but as a way to sustain the politics of inclusion, equality, care for the commons and social justice? We invite contributions from different geographical and political contexts including Latin American, African and Asian countries, as well as case studies from areas that we have been researched more closely within our project: India, Europe, USA.
The conference will take place from April 15th-17th, 2019, at the premises of Warwick University in Venice.
700 word abstracts and short bios to be sent by January 8th, 2019 to firstname.lastname@example.org.Looking For the Left in San Francisco – blog now available
Janelle Reinelt’s blog, in which she explores the political content of the de Young ‘Summer of Love’ exhibition, 2017, is now available to read here. The is the first in a series of three ‘dispatches’ reporting on California locations that are shaping up to be major political flash points in the Trump era.Cultures of the Left at PSi (Performance Studies international), Hamburg June 7-11
Our partnership project was featured in two curated panels: Cultures of the Left: Aesthetics and Politics and Political Theatres and Performances of Resistance.
For further readings please visit the Warwick University link here!